Signage cover looks

Three moving covers for the held post on video walls and synced screens. Pick one look, and the other six signage covers follow it.

In all three, Ao is the website hero owl, turning his head and lifting his wings, and every screen changes on the same frame. With reduced motion on, each cover shows its still instead.

At desktop size

Ao the owl beside a cafe wall of nine screens showing one painted cup picture across all nine

Look A: one picture across a cafe wall of nine

The nine screens act as one big display, and each picture fades into the next across the whole wall.

Ao the owl beside a clinic counter with four screens, each showing a different painted advert

Look B: four clinic screens, each its own picture

Each screen shows a different picture, and all four wipe softly to the next one together.

Ao the owl beside a row of four TVs on a wall, all showing the same painted cup picture

Look C: a row of four TVs, the same picture on each

Every TV mirrors the same picture, and the whole row fades to the next one at once.

On a phone

These use the phone crop, 1260 by 870, as it would sit on a blog card.

Phone crop of look A, the cafe wall of nine screens

Video walls and synced screens

Look A, one picture across nine screens.

Phone crop of look B, the clinic counter with four screens

Video walls and synced screens

Look B, four screens with their own pictures.

Phone crop of look C, the row of four TVs

Video walls and synced screens

Look C, the same picture on four TVs.

What each look gives up

Look A says "video wall" most plainly, but the bezels cut through the picture, so small details like the cup handle break up.

Look B shows more adverts at once, but its wall is smaller, so each picture is small on a phone.

Look C is the calmest, but the TVs shrink into the distance, and the fourth one is cut by the edge.